Bookmark and Share
Custom Search

Construction Of The Figure

The Art Of Painting - Construction Of The Figure - 7, a brief series of articles on the art of painting and drawing
 
 
If you were drawing a map of England with all the counties, and found, when you had nearly completed it, that there was no room left for Rutlandshire, or that too great a space had been left over for Leicestershire, you would begin to look about for a fault in some other part of the map. So in your drawings everything must dovetail and fit.
STUDY TO SHOW THE SHAPES LEFT BETWEEN THE RIGID LINES OF THE SEAT, AND HOW THEY HELP IN DRAWING THE FORESHORTENING OF THE LEGS

In subsequent lessons detailed consideration will be given to the drawing of arms and legs, so that I need not go further with instructions on these points for the present, my main object being to indicate a method of construction on something like a scientific basis, a synthetic method reasoned carefully from beginning to end, where the element of chance is not allowed a place. And although I am aware that the system followed in this figure and its position cannot be rigidly applied in the case of figures differing totally in action, still on some such lines construction can, and should always be, synthetically considered ; and if at first, and for a time, the method may seem tedious, it will repay you in the long run, and the mental process involved will become by degrees less and less fatiguing.
By way of practice, refer to the two other Plates of nude figures that are drawn without indicating
lines; and try mentally to supply these lines and all the instructions given above.
The sketch of a female nude model was done more particularly to show how, by the use of the "spaces left" the figure can be firmly seated and the legs foreshortened in a drawing ; and I should advise you when doing a seated figure always to draw the chair as though it were part of the figure. It will then sit at ease, and the rigid outlines of the seat will help you to overcome some of the difficulties of proportion.



<< Previous page Next page >>