The Italian SchoolThe Art Of Painting - The Italian School - 2, a brief series of articles on the art of painting and drawing
ST. HELENA. VISION OF THE INVENTION OF THE CROSS
A VIEW IN VENICE
A unity of colour is preserved throughout this series by what appears to be an under-painting of a greenish grey. The silveriness of Paolo's colour, which distinguishes him from most other Venetians of his time, schemes well with the great gilt mouldings of Venetian ceilings and rich surroundings. With the prudence which distinguishes the great men, it was his wont to paint his mineral colours either in distemper or varnish, for oil discoloured them.
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